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Spanish style

Not like opera-dancers. Not at all. And not like Madame Anybody’s finished pupils. Not the least. It was not quadrille dancing, nor minuet dancing, nor even country-dance dancing. It was neither in the old style, nor the new style, nor the French style, nor the English style: though it may have been, by accident, a trifle in the Spanish style, which is a free and joyous one, I am told, deriving a delightful air of off-hand inspiration, from the chirping little castanets.

As they danced among the orchard trees, and down the groves of stems and back again, and twirled each other lightly round and round, the influence of their airy motion seemed to spread and spread, in the sun-lighted scene, like an expanding circle in the water. Their streaming hair and fluttering skirts, the elastic grass beneath their feet, the boughs that rustled in the morning air – the flashing leaves, the speckled shadows on the soft green ground – the balmy wind that swept along the landscape, glad to turn the distant windmill, cheerily – everything between the two girls, and the man and team at plough upon the ridge of land, where they showed against the sky as if they were the last things in the world – seemed dancing too.

At last, the younger of the dancing sisters, out of breath, and laughing gaily, threw herself upon a bench to rest. The other leaned against a tree hard by. The music, a wandering harp and fiddle, left off with a flourish, as if it boasted of its freshness; though the truth is, it had gone at such a pace, and worked itself to such a pitch of competition with the dancing, that it never could have held on, half a minute longer.

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